Pink Lady Pepper Keibu Rarest
01 - PEPPER Keibu.mp3 7.5MB 02 - S.O.S.mp3 6.2MB 03 - CARMEN'77.mp3 8.3MB 04 - Nagisa No SINDBAD.mp3 5.9MB 05 - WANTED.mp3 7.8MB 06 - UFO.mp3 7.4MB 07 - SOUTHPAW.mp3 8.3MB 08 - MONSTER.mp3 10.2MB 09 - Toumei Ningen.mp3 7.6MB 10 - CHARMELEON ARMY.mp3 8.9MB 11 - ZIPANGU.mp3 8.0MB 12 - PINK TYPHOON In The NAVY.mp3 9.5MB 13 - Nami Nori PIRATES.mp3 8.7MB 14 - KISS IN THE DARK.mp3 6.8MB 15 - MONDAY MONALISA CLUB.mp3 8.8MB 16 - DO YOUR BEST.mp3 9.5MB 17 - Uta-Kata.mp3 7.8MB 18 - LAST PRETENDER.mp3 8.3MB 19 - OH!mp3 11.4MB 20 - Ni-Nen Me No JINX.mp3 11.5MB 21 - PRO-ROCKER.mp3 8.4MB Cover.jpg 28.7KB.
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. Pink Lady ( ピンク・レディー, Pinku Redī) is a female duo of the late 1970s and early 1980s, featuring ('Mie', born March 9, 1958) and ('Kei', born September 2, 1957).
Pink Lady Lyrics Lyrics & Translations Home. Pepper Keibu (Inspector Pepper) Pink Lady. Romaji by Project Hello. Peppaa keibu jama wo shinaide.
In Japan, they are remembered for a run of pop-chart hits from roughly 1976 to 1979, but in the, they are best known for their short-lived 1980 TV variety show, later released on DVD under the title Pink Lady and Jeff. Pink Lady is one of only two Japanese artists to have reached the, hitting #37 with the single '; the other was with the original Japanese-language version of '. They are also the first Japanese act to have ever performed in, in November 1980. In June 1979 stated the duo had sales of over 72 million US dollars in Japan, and stated in September 1980 that Pink Lady's singles had grossed over $40 million, their album releases over $25 million, and their TV appearances, such as commercials and product sponsorship, near $35 million—a combined total exceeding $100 million.
Contents. Biography Early history Mie and Kei were childhood friends who grew up and attended school together in Japan's. They first appeared in March 1976 on a prime-time TV talent show called ('A Star Is Born') (similar to America's ). They were showcased as a cute, fresh-faced folk duo dressed in bib overalls. By the time the girls re-appeared on the show a few months later, their image had completely changed - they were now dressed in slinky, beaded, short-skirted white dresses, performing upbeat pop tunes. A few years later, they capitalised on the trend, with songs like '. Peak of popularity Nemoto and Masuda epitomize the Japanese concept of the or pop-star 'idol,' singing catchy, hook-filled pop songs, often with a disco flavor (in later years especially), and performing almost perfectly synchronized dances to accompany their songs.
During the late 1970s, they had streak of nine No. 1 hits, five of which were consecutive million-selling singles according to; these include ', ',' ' (their biggest-selling single, with 1.95 million copies sold), ', and '. Their 1978 single charted for a total of 63 weeks - a record which has since not been broken in Japan. The duo became commercial pitchwomen for various products, ranging from shampoo to radios to children's books to noodles. Just about every product Mie and Kei endorsed enjoyed a massive uptick in sales. 1978 was Pink Lady's peak year, during which they made their first concert appearance in the United States (in ), and starred in their first major full-length motion picture. That year, the two also became cartoon stars with the airing of Pink Lady Monogatari: Eiko no Tenshitachi (The Story of Pink Lady: Angels of Splendid Fame), a 35-episode television series directed by and aired on Tokyo 12 Channel (now ).
The series was commissioned by T&C (Trust and Confidence), the duo's managing firm, with animation production. (the singers did not play themselves in the anime; their voices were provided by other actresses.) However, New Year's Eve 1978 represented the beginning of a downturn for Pink Lady. Nemoto and Masuda turned down an invitation to perform on the long-running annual New Year's Eve television music program (Red-and-White Song Contest), to host their own TV special on another network. It backfired, as Kohaku garnered ratings nine times higher than Pink Lady. In addition, the women's managers announced that they had invited students from a school for the blind to the studio for the taping of the show, but the school denied that any such arrangement had been made. Critics accused Pink Lady of using blind children to promote their own TV special. They were not invited to perform again on Kohaku the following year, and in fact didn't perform on the annual special until 1988 - well after the duo had disbanded.
Pink Lady in the USA With their record sales in Japan in decline, Pink Lady focused on the American market. Nemoto and Masuda appeared as guest stars on a TV special in the spring of 1979, performing what was to be their first American single, a disco tune called 'Kiss In The Dark,' in English and released by Curb Records, followed by an entire English-language album (a collection of disco tunes and ballads, including a cover of the 1966 classic '). When ' debuted on the Billboard charts that summer, Pink Lady became the first Japanese recording act to chart in America since (') 16 years earlier.
'Kiss In The Dark' reached #37 on 's top 40, (#49 on the Cash Box magazine chart). Their album reached the highest position of #205, according to Billboard.
Afterwards, the duo appeared with comedian in, a mixture of musical numbers and sketch comedy. The fact that Mie and Kei knew very little English limited their potential as comedians, and also caused them a great amount of stress, since both were essentially forced to memorize dialogue neither could understand. On top of that, they were forbidden to perform any of their Japanese hits until late in the show's short run, being forced to struggle through English-language disco and pop hits such as 'Yesterday' and 'Knock on Wood.' The show lasted only six weeks in prime time on NBC before being pulled off the air, and to this day is celebrated by many as one of the worst television shows in history, as well as single-handedly killing off the variety show format that had been a staple of American television since its early days. The singers, frustrated, went home to Japan afterwards and never again attempted a run at the U.S.
The albums and singles they released in America are now out of print, and one of the only ways for U.S. Fans to get hold of Pink Lady's music is through Japanese imports. Pink Lady today Pink Lady's lack of visibility at home while they were filming the show in Hollywood, as well as the decline of disco music, hurt their record sales even in Japan, and in 1981, after making an unsuccessful attempt to update their sound to appeal more to adults, Pink Lady disbanded. The two have reunited a few times since for concerts and new recordings, and have also kept busy with successful solo careers as singers and actresses. In 2005, the duo announced their farewell tour in Japan, titled the UFO tour (a pun on their 1977 single, and the tour's commercial title Unforgettable Final Ovation).
That same year, they released a choreography DVD for all their singles up to. On Wednesday September 1, 2010, the duo announced their comeback during a press conference presenting the release of a specialised., a 2-disc greatest hits release with re-recorded versions of their past hits, was released in December of that same year. A concert tour was followed in March, 2011, which marked the 30th anniversary since their official disbandment in 1981. Pink Lady's music has been used as background music in several series (aside from the aforementioned Angels of Splendid Fame biographical series), including ' and. In 2011 the Japanese music program listed them in their Top 50 Idols of All-time based on their sale figures supplied. They were placed no. 15, with sales exceeding 13,000,000.
However, states they sold over 15 million singles and 2.25 million albums. Retrieved 2012-09-15. Retrieved 2011-10-25. Retrieved 2012-09-15. Hoover, William (2011). Historical Dictionary of Postwar Japan. Scarecrow Press, Inc.
Pp. 200, 201. ^ Cooper, Kim (2001). Bubblegum Music is the Naked Truth. Retrieved 2012-09-15. 音楽CD検定公式ガイドブック下巻.
Retrieved 2012-09-15. Complete Dictionary of Movie Staffs in Japan 日本映画史研究会. Pp. 944, 1208, 1448.
Masataka, Yoshida (2004). Nijigen Bishouron 二次元美少女論. Schilling, Mark (1997). The Encyclopedia of Japanese pop culture.
Pink Lady Pepper Keibu Rar
Retrieved 2012-09-15. Retrieved 2012-09-15.
(in Japanese). Retrieved 2012-09-16. Retrieved 2012-09-15. Brian Phillips. Retrieved 2011-07-28. Bibliography. Schilling, Mark (1997).
Pink Lady Pepper Keibu
The Encyclopedia of Japanese Pop Culture. New York: Weatherhill. External links.
maintained by an American fan. from. (anime) at 's encyclopedia.